Archive for the ‘general fiction’ Category

Charlotte Goodman is living the dream.  Surrounded by family, friends and a stunning vineyard overlooking the ocean, it would be difficult for anyone to believe that she has a troubled past.

However, haunted by the theft of a young girl, Charlotte begins to realise the enormity of something she did many years ago, and soon finds herself having to make the most harrowing decision any woman would ever have to face.

Supplied by Penguin Random House New Zealand

Reviewed by Jan

The third in a series, the prequels being “No Child of Mine” and “Don’t Let Me Go”,  this is a great story and each one can be read as a stand-alone book.  They deal with child abuse and paedophilia, as well as how Social Services handle these cases and each book focuses on just one aspect in Chloe’s development.

Charlotte Goodman was a social worker in England and removed a three year old girl from an abusive home.  She and her husband Anthony then adopted her and renamed her Chloe.

Five years later the Goodmans have started a new life running a vineyard in New Zealand.  They have two more children and the traumas of Chloe’s early life begin to cause major problems, leading to her being a danger to her younger siblings.  The family are faced with making some heartbreaking serious decisions.

There are plenty of twists and turns in this emotional story and parts of it are told from Chloe’s view. The story deals with a harrowing aspect of child abuse that is horrific to read and heartbreaking for such a young girl. It’s beautifully written and I really liked the Goodman family and became invested in them.

 

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When of hundreds of Japanese captives arrive at Featherston POW camp, the tiny town is divided. Tensions run high and then, on 25 February 1943, disaster strikes. Three boys are there at the moment the storm breaks – and terrible, unforgettable events unfold before their eyes.

enemy-camp

Puffin

Supplied by Penguin Random House New Zealand

Reviewed by Jan

It’s 1942, and the tiny farming town of Featherston has a prisoner-of-war camp that can house hundreds of Japanese soldiers in it. Ewen, whose dad is a guard there, can’t stop wondering about the enemy just down the road. Some say the captives are evil and cruel and should be treated harshly – or shot. But when Ewen and his friends ride out to the camp to peep through the barbed wire, the POWs just seem like . . . well, people.

Written as a journal Ewen keeps, this tells the events of the NZ POW camp through the eyes of a typical kiwi kid. Ewen and his best friend Barry ride out to the camp to see what the Japanese are like.   They take along Barry’s little brother Clarry in a carrier attached to one of their bikes, as he had polio and his legs are weak.

The boys are given Japanese lessons from an English speaking Japanese officer called Ito. From him they learn that for the Japanese in the camp “for us to be prisoner is to be dead person”.

They realise people aren’t all good or bad and everyone is a fellow human being, regardless of race or religion.  An important message to learn, especially in this turbulent time.

I was really interested in this story as my Poppa was one of the guards – I found out after he died as he was ashamed of the Featherston massacre.

Aimed at 9-14 yr olds, this is an addictive read for all ages.  David Hill has written another enjoyable, fascinating book based on true events in NZ’s history.

 the-lubetkin-legacy

Bertie and Violet live in adjoining flats at Madeley Court, a council medium rise in north London. Bertie has inherited his flat from his mother, who claimed to know the designer, Berthold Lubotkin, and who also insisted the design included a special feature lost when the council decided to rationalise the buildings during construction.

Bertie is named for Lubotkin and prefers the surname of Sidebottom, his mother’s first husband and Bertie’s ostensible father, to Lukashenko, his mother’s second husband and his adoptive father. He is an actor suffering a lull in his career.

Violet is a recent arrival from Kenya, and is the way of emigres, forever tripping over similar emigres, many in debt to a Kenyan businessman of dubious repute.

Bertie’s story revolves around an attempt to retain possession of his flat in the face of council rules he vaguely understands. This involves adopting an aged Ukrainian lady to stand in for his late mother in the face of council inquiries. He also hits a personal low in pursuit of paid employment to cover the cost of rent.

Violet’s story concerns the dubious businessman, and takes her back to Kenya. But not before she and Bertie become entwined in a defence of the tower block. She is also unwittingly the object of Bertie’s affections.

Our third key player is Inna, the aged Ukrainian, who is a handful for Bertie and not the least interested in retiring from men’s affections.

The denouement of these three stories do not quite intersect, as Violet is now in Africa, but for Bertie and his tower block, the future looks good, both personally and professionally.

While the jacket claims Marina Lewycka is a great humourist, for me the book was not laugh-out-loud funny. It certainly had its moment of observational humour, but perhaps I’m too removed from modern British society to fully understand the concerns. Nevertheless, the writing was good, the story a page-turner and I did care for the fates of the main characters.

For those who like contemporary fiction, this is a good example and Marina Lewycka and The Lubetkin Legacy is not to be ignored.

Penguin

Supplied by Penguin Random House New Zealand

Reviewed by Steve

To Right, Boy is a classic New Zealand road trip story. Old Harry hasn’t enjoyed the best of reputations; a former foreign correspondent with a love of whisky and gambling, he sets out to redeem himself by taking his grandson, Brad, on a road trip while Brad’s parents are on an enforced leave of absence. He attempts to take good care of the boy, while imparting some much needed character training. Despite Harry’s best intentions, the road trip only confirms the parents’ worst fears. But in the end, a lesson lived is a lesson learned, and the road trip goes a long way to exorcising familiar demons.

too-right-boy

SHIH Village Books

Supplied by SHIH Village Books

Reviewed by Lee

Who doesn’t love a road trip?  From New Zealand’s iconic 1981 film Goodbye Pork Pie (with its remake due out next month), to this summer’s Air New Zealand safety video, road trips are all about fun, discovery, and that unexpected edge of danger. So, when Too Right, Boy, a book about a man and his grandson taking a road trip through New Zealand came across my desk, I was eager to read it. On that score, Too Right, Boy doesn’t disappoint with Chamberlain capturing the essence of the New Zealand’s landscape, with sharp too-real imagery that every Kiwi can identify: the “woof woof” of the bellbird’s wings as it explodes from high up in a tree, “the mile-long queue of cars” backed up in the Karangahake Gorge, and “plastic bales of hay stacked in the paddocks like lime-green Oddfellows”.

Where else but New Zealand can you see a pig snorting and fuming in the car boot (trunk), while being carried to the butcher on the motorway? Where else can you ride brumbies on the beach, and put up your tent above the dunes?

It’s not all fun and good humour, though. On Harry and Brad’s journey there are corrugated iron projectiles to avoid, flooded rivers to ford, and some tense altercations with roadsters. I loved that the road trip takes the pair to coastal towns like Waihi, Katikati, Tauranga…places I’m familiar with and can readily visualise. Not only that, the book is chock-full of delicious road trip ‘food porn’ with oysters shucked from their shells, fish filets rubbed in butter and flour and sizzled over a fire, fish and chips eaten on the beach, roast dinners enjoyed in roadside pubs, and scones reheated and smeared with cream and jam in a Waihi carpark.

But there is a deeper story to this road trip. Twelve-year-old Brad, molly-coddled to the nth degree by his understandably overprotective mother, is desperate to break out and find a bit of independence, so he stows away on his grandfather’s campervan, strapping his surfboard to the undercarriage of the vehicle. Brad’s mother, Sheryl, will never allow it, but a timely accident means she can’t protest, so Brad and Harry get the go-ahead to carry on with their character-building trip. Author, MO Chamberlain, has nailed the voice of the adolescent, imbuing Brad with all the anxiety and exuberance you would expect in a boy of his age. Brad is smart too, smart enough to know to keep quiet when a question might get him into trouble, and how to secretly download porn to his iPad.

However, the story’s key protagonist, Brad’s grandfather Harry, is somewhat of a paradox and for most of the book, I really had to struggle to like him. At 84, former journalist Harry, is both irreverent and religious. While I loved his Kiwi can-do approach to life, his raw appreciation for New Zealand’s wild places, and his need to right certain wrongs, some of Harry’s attitudes are not only out-dated, they’re strongly bigoted. “What happens if we run into some wild Maori along the coast? How are we gunna make a run for it?” he says, before they pair set out on one excursion, as if the local people are to be feared. His views about women are not any better. Every female Harry encounters is either an aggressive sexual fatale to be avoided ‒ this includes free-spirited 14-year-olds right up to well-meaning 80-year-old Vera, who bakes them cookies and drives all night to rescue them ‒ or, if they’re “good girls” they’re probably nagging and oppressive, like Brad’s mother Sheryl. Even Harry’s beloved wife Mary, three years dead, doesn’t escape his criticism:

“Mary would never have allowed that.”

“Harry could feel Mary was there, sitting across from him, and he knew she didn’t approve.”

“…the woman was still here goading him”.

Ultimately though, where his grandson is concerned, Harry’s heart is in the right place, and the pair establish a deep bond, the quintessential element of any good road trip story. With comradery, hairy moments and some deeper reflection, Chamberlain’s Too Right, Boy is exactly what readers expect from a road trip story. An engaging Kiwi read.

lee-cover-1

Lee Murray is an award-winning writer and editor. A six time-winner of the Sir Julius Vogel Award for science fiction, fantasy and horror, she holds an Australian Shadows Award (with Dan Rabarts) for Best Edited Work for the charity flash fiction horror collection, Baby Teeth.

the-moment-she-left

A former detective, Andee now works as a private investigator in Kesterly-on-Sea.  She is asked to help with the stalled search for a missing young woman, Jessica.  Andee is also dealing with her children blaming her for the break-up of her marriage and avoiding her husband, who wants her back.

Blake is Jessica’s father, who had just moved his family to Kesterly-on-Sea for a fresh start after being accused of a crime he didn’t commit.  After Jessica’s disappearance his wife leaves and he finds solace working in Graeme’s antique shop.

Rowzee is a 65 yr old former teacher beloved by the town, who has just discovered that she is terminally ill, and doesn’t want to burden her family and friends with the news.

There are so many different threads to this story; it gets hard to keep them straight sometimes.  All the sub-plots are neatly woven together by the end though, and familiar characters return from previous Susan Lewis books.

I found this book so hard to read as my mum was diagnosed with brain tumours- just after I started reading, and she     then got a terminal diagnosis like Rowzee.  Mum was very similar to her in not wanting a fuss and the similarities make it hard to be objective in a review.  It is a good story though.

Century

Supplied by Penguin Random House New Zealand

Reviewed by Jan

a tattooed heart

Life is looking good for Friday, Sarah, and Harrie, convict girls in 1830s Sydney. Friday is now a dominatrix, running Mrs H’s whipping room; Sarah runs the best jewellery shop in Sydney; Harrie is married to the dashing Dr Downey and the loving mother of Charlotte while providing Leo with unique flash (tattoo designs).

Then Charlotte is kidnapped and taken to Newcastle. As bonded convicts they can’t leave Sydney so how will they find her? I am reluctant to say too much and give the story away but we meet Aria again (yay!) and Jonah Leary (boo hiss!) and of course the despicable Bella Shand.

The plot moved swiftly and there were heart-warming moments, a worrying cliff-hanger (until the next chapter), a well-I-didn’t-see-THAT-coming revelation, and an of-course! moment. The can be read as a stand-alone book but all previous three books really should be read.

I loved   the final in the fascinating and addictive quartet. It wraps everything up nicely and the final pages have an answer to a question raised in the first book Behind The Sun. I love these characters and the author has said they may appear in future stories she writes. I hope so!

HarperCollins Publishing

Supplied by HarperCollins New Zealand

Reviewed by Jan

no plce to hide

Justine is running from the past and needs a fresh start.   She moves to her grandmother’s hometown, Indiana, with her young daughter Lula. They try to settle in the quaint town but it isn’t what Justine expected, with hidden stories and troubled history. The devastating secrets that drove her away are still memories that haunt her life.

This story jumped around – from England to America and between different time periods; the past and the now. The book goes back eighteen years to tell how Justine and her husband Matt met and found a perfect home. They had Abby and Ben and later Lula. Things started going wrong after Ben hit his head on the ground getting out of a tree.

It was too long and drawn out for my liking – you only find out what the tragedy is halfway through the book and the writer takes forever getting to the climatic event. Then, in the last one hundred pages, the author tries to reveal two family secrets and tie together two storylines.

It didn’t work for me but try it yourself.

Century

Supplied by Penguin Random House New Zealand

Reviewed by Jan